My name is Caleb Michael Sarvis. I’m a writer, a thinker, and currently a self-reflective incubator. Welcome to a blog series in which I’ll be analyzing both the practical and interesting ways imaginary characters can play in fiction, including The Third Policeman by Flann O’Brien, 2014’s Best Picture Winner Birdman (or the Unexpected Virtue of Ignorance), and other short fiction.
Reason, Dreams, and Conclusion
Hemingway, Carver, and other post-Enlightenment authors championed realism in its most literal sense. If art is the representation of real-life then art must be as close to real-life as possible. Angels don’t exist in real life. Tigers don’t associate with six-year old boys. A deer carcass doesn’t orchestrate an existential crisis. These claims are fallacies. If not for imagination, then we’d have no fictions. In his “First Manifesto on Surrealism,” Andre Breton argues that we mistakenly dismiss the significance of dreams. Like the imaginary character, Breton believes dreams are a clearer representation of what we desire, and as a result, the dreamer is a more content man, Continue reading “Creating a Functional Interest (Part 7) by Caleb Michael Sarvis”