My name is Caleb Michael Sarvis. I’m a writer, a thinker, and currently a self-reflective incubator. Welcome to a blog series in which I’ll be analyzing both the practical and interesting ways imaginary characters can play in fiction, including The Third Policeman by Flann O’Brien, 2014’s Best Picture Winner Birdman (or the Unexpected Virtue of Ignorance), and other short fiction.
In Fight Club by Chuck Palahniuk, Tyler Durden is a vehicle through which Sebastian discovers his real-self. Where Sebastian, the narrator, doesn’t necessarily understand what he wants, Tyler Durden is consistently taking action towards acquiring what he wants. Early on before the reader knows that Tyler and Sebastian are the same person, Sebastian muses the concept that the fight club version of himself isn’t the same as his real-life self,